Sculpture Across the Paliolithic to 300BCE have the same hair Essay

Sculpture Across the Paliolithic to 300BCE have the same hair - Essay Example This idea enables a viewer like me to identify social statuses of Greek models. I believe that the long, symmetric and curly hairstyles imply ancient Greek tradition and culture. Four sculptures from Ancient Greece captured my interest. These sculptures are important works of art, and they are displayed in famous museums. The first is the Statue of a Youth from Paul Getty Museum. This statue is also featured in Janson’s History of Art textbook. The second one is called Head of Hades from the Online Metropolitan Museum of Art. The third is called Statue of a Kouros, which is displayed at J. Paul Getty Villa Museum located in Malibu, California, and the fourth is the Kore, located in Akropolis Museum in Athens and is also featured in Janson’s History of Art. While I was gazing at these works of art, one aspect caught my attention: the similarity in hairstyles of ancient Greek sculptures. I noted that all sculptures have symmetrical braids or curls that cover the forehead. The first sculpture is called Statue of a Youth. It is located at the J. Paul Getty Museum in Malibu, California under â€Å"Sicily: Art and Invention between Greece and Rome Exhibit.† The sculpture dates back to 470-460 BC from ancient Greece. It is made of marble and measures 181 cm. tall. The sculpture presents a young man, a charioteer from Mozia in Sicily. On one hand, his small face and well-built body form emphasizes his youth and strength. On the other, his hairstyle, which according to the caption, â€Å"ends in ringlets,† may seem feminine to modern viewers. Many would think that his hair is fashionable, some would wonder who styled it; others might take interest in the cultural background of the hairstyle. These reflections could lead to the inkling as to why the charioteer has ringed braids. Was this the fad in Ancient Greece or did social status have anything to do with the hairstyle? The caption states, â€Å"The Mozia youth's capped hair ends in ringle ts, an untypical feature, and symmetrical.† This caption acknowledges the fact that the artist employed symmetry in his art, despite the half-twisted gaze of the young man. It also declares that the hairstyle is untypical or uncommon; hence it is important to consider tracing back the history of braiding among CVbnm,.charioteers and the whole society of ancient Greece to know the relevance of the hairstyle in display. Nevertheless, I will reserve my findings in the latter part of this paper. Statue of a Youth (the Mozia Charioteer, detail), 460 B.C., Sikeliote (Sicilian Greek). Marble, h: 181 cm. J. Paul Getty Museum The statue is placed in the middle of the room, making it the center of attraction. From this location, viewers can note the importance of this piece of art in Greek art and culture. The sculpture is not within a glass case. Made of marble, I suppose it can stand heat and cold, and will not tarnish easily. Nevertheless, some features are missing, such as the arms (and hands), nose, and one shoulder, which could help give more information to the viewer. I am not sure if these are intended or the sculpture was actually damaged at some point in its existence. According to the book, the sculpture was damaged when Carthaginian forces seized the artworks from Sicily. The figure, which displays the features or a charioteer from